{"id":1017,"date":"2021-01-29T15:25:39","date_gmt":"2021-01-29T14:25:39","guid":{"rendered":"https:\/\/rivatges.fr\/?p=1017"},"modified":"2022-04-05T14:25:39","modified_gmt":"2022-04-05T12:25:39","slug":"stage-microtonalite","status":"publish","type":"post","link":"https:\/\/rivatges.fr\/index.php\/2021\/01\/29\/stage-microtonalite\/","title":{"rendered":"Stage sur les modes et la microtonalit\u00e9"},"content":{"rendered":"\t\t
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Stage sur les modes et la microtonalit\u00e9<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Maxence Camelin (photogr. Jean-Fran\u00e7ois le Glaunec)<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Henri Maquet (photogr. F. Gardin)<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Formateur<\/h2>

Maxence Camelin
<\/strong><\/p>

A la base saxophoniste, Maxence Camelin d\u00e9couvre le hautbois Languedocien aupr\u00e8s de Bruno Salenson en 2004. Depuis, il s\u2019est sp\u00e9cialis\u00e9 dans les instruments d\u2019Occitanie, et enseigne l\u2019abo\u00e8s<\/em>, hautbois du Couserans au COMDT de Toulouse et la bodega<\/em>, cornemuse de la Montagne Noire au conservatoire de Carcassonne. En tant que musicien professionnel, il se produit pour les bals, concerts, animations, avec pas loin d\u2019une dizaine de groupes, et anime par ailleurs des stages de pratique ou de facture d\u2019anches.<\/p>

Maxence Camelin animera les deux jours du stage.<\/strong><\/p>

Henri Maquet
<\/strong><\/p>

Musicien poly-instrumentiste, musicologue, luthier, compositeur, p\u00e9dagogue, chanteur, organisateur de festivals et de rencontres … V\u00e9ritable moteur de son territoire culturel, il impulse et dirige de nombreuses cr\u00e9ations depuis plus de 20 ans.<\/p>

Henri Maquet ne sera pr\u00e9sent que le samedi.<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Contenu p\u00e9dagogique<\/h2>

<\/p>

Ce stage a pour objectif de sensibiliser les instrumentistes hautbo\u00efstes ou clarinettistes \u00e0 la modalit\u00e9, par une approche empirique et th\u00e9orique.<\/strong><\/p>

Dans un premier temps seront abord\u00e9es des notions th\u00e9oriques : qu\u2019est-ce qu\u2019un mode, une \u00e9chelle, une gamme, un t\u00e9tracorde, un intervalle, un temp\u00e9rament. Comment d\u00e9finit-on la musique modale ?<\/p>

Les modes avec diff\u00e9rentes appellations selon les \u00e9poques, les milieux, les cultures, avec des exemples sonores \u00e0 l\u2019appui seront pr\u00e9sent\u00e9s.<\/p>

Sera ensuite abord\u00e9e la notion de micros tons, toujours avec des exemples sonores et diff\u00e9rentes mani\u00e8res de l\u2019expliquer :
– Qu\u2019est ce qu\u2019une gamme naturelle, une gamme \u00ab culturelle \u00bb ?
– Y-a-t\u2019il des r\u00e8gles ? Et si oui lesquelles ? par exemple le rapport d\u2019une quinte par rapport \u00e0 une fondamentale
– Quelles sont les harmoniques qui ressortent plus ou moins selon le timbre de l\u2019instrument et quelles sont les interactions qui en d\u00e9coulent par rapport au mode du morceau, ou par rapport \u00e0 d\u2019autres instrumentistes ?
– La polyphonie est-elle compatible avec un syst\u00e8me microtonal ? Et si oui quelles en seraient les r\u00e8gles harmoniques.<\/p>

L\u2019aspect organologique des diff\u00e9rents hautbois (emplacement et diam\u00e8tre des trous de jeu) sera tr\u00e8s int\u00e9ressant \u00e0 mettre en relation avec ces notions de modes et de microtonalit\u00e9.
Ex : tierce basse sur les abo\u00e8s<\/em> qui peut para\u00eetre fausse dans un syst\u00e8me tonal mais qui a une fonction\u00a0 dans un syst\u00e8me modal et qui plus est peut \u00eatre juste si on la replace dans un syst\u00e8me d\u2019harmoniques naturelles.<\/p>

Seront mis en pratique la mani\u00e8re de mettre en lumi\u00e8re certaines notes, comment choisir de faire sonner plus haut ou plus bas certaines notes par une action sur l\u2019anche, la colonne d\u2019air, un placement de la gorge, un doigt\u00e9 diff\u00e9rent\u2026<\/p>

\u00a0<\/p>

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Informations pratiques<\/h2>

Dates et lieu en 2022<\/strong>
– 9 et 10 avril 2022 au Petit Th\u00e9\u00e2tre de la Placette \u00e0 N\u00eemes (30). <\/strong><\/p>

Stage report\u00e9 au 24-25 septembre 2022
<\/strong><\/h3>

Horaires des stages<\/strong>
– Samedi : 10h-12h30 et 14h-18h30
– Dimanche : 9h-12h30 et 14h-16h<\/p>

Nombre maximum de participants<\/strong> : 12<\/p>

Instrumentistes et niveaux
<\/strong>Stage ouvert \u00e0 tous les instrumentistes de tous niveaux mais la priorit\u00e9 sera donn\u00e9e aux hautbo\u00efstes.<\/p>

Tarif<\/h2>

40 euros + 12 euros d’adh\u00e9sion \u00e0 l’association<\/strong><\/p>

Contact et inscription<\/h2>

Pour tout renseignement
<\/strong>contact@rivatges.fr<\/p>

Pour vous inscrire<\/strong>
Vous pouvez soit nous envoyer un mail \u00e0 contact@rivatges.fr soit remplir le formulaire d’inscription en cliquant ici<\/a><\/p>

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Stage sur les modes et la microtonalit\u00e9 Maxence Camelin (photogr. Jean-Fran\u00e7ois le Glaunec) Henri Maquet (photogr. F. Gardin) Formateur Maxence Camelin A la base saxophoniste, Maxence Camelin d\u00e9couvre le hautbois Languedocien aupr\u00e8s de Bruno Salenson en 2004. Depuis, il s\u2019est sp\u00e9cialis\u00e9 dans les instruments d\u2019Occitanie, et enseigne l\u2019abo\u00e8s, hautbois du Couserans au COMDT de Toulouse […]<\/p>\n","protected":false},"author":6,"featured_media":976,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"off","ocean_gallery_id":[],"footnotes":""},"categories":[2,3],"tags":[],"class_list":["post-1017","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","category-formations","entry","has-media"],"yoast_head":"\nStage sur les modes et la microtonalit\u00e9 - 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